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Yamaha Studio Monitoring Study Fan

Yamaha Fan Originally uploaded by
edubergallo .

A picture to illustrate the Monitor Audio Post

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differentiate the two functions of a studio monitor (nearfield or not)
1) Record
2) Mix

To Record, you need to know (hear) exactly what that is being put on tape / hard Disk. Then we have to monitor with the same capacity as the media has to keep that information.
This implies that responds well to monitor the entire spectrum (lo, mid and hi).
I have to listen carefully to any defects of the instruments (Rope "air" of bass and guitar, bass resonances toms, bass resonance of the room, acute vibration 'yard "of the battery, buzzer and other electromagnetic noise.
When I record a bass player for example, need to hear and He heard loud and so low that click with the right intensity and in the right place. It is very difficult to touch a low listening through a speaker 6 ".
On the other hand, serious monitoring I can see clearly beat frequencies between the bass and a guitar or between a low and a tom stand or between a piano and a guitar.

In addition to the mix are interested in other factors, for example, the final color the mixture will be in principle, inversely proportional to the "color" of the monitor.
is, if the monitor is medioso, my mix will most likely be ok with little means?
reasoning is simple, but true, as one of eq decisions based on what he hears.
The same goes for the other two bands (bass and treble).
As personal experience, I really like the monitors that sound "nice" because the mixture out of the studio is not so "cute" actually.
From there the success of Yamaha NS-10, you could say you hear a lot "worse" than a Genelec 1031.
also happens that for mixing rock and pop, where there is often a burden major media, the "defect" of the Yamaha acts as a magnifier of what happens there (distorted guitars, vocals, drums, plates, keyboards) and is easier to put everything in place.


have 4 tracks to try:
1) Position of the monitors in the control (distance to the back wall, separation, angle, height, horizontal or vertical location, sausages or pedestal)
2) inside the control Acustica
3) type monitors (nr of vias, assets, time aligned, with speakers with ribbon tweeters etc)
4) behind the monitoring Amplifiers